Metre and Musicality in the Poetry of Antonio Fernández Morales

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Published

2017-11-24

How to Cite

Penim, C. and Polsinelli, M. (2017) “Metre and Musicality in the Poetry of Antonio Fernández Morales”, Boletín da Real Academia Galega. A Coruña, (378), pp. 583–595. doi: 10.32766/brag.378.713.

Issue

Section

Antonio Fernández Morales

Authors

  • Carmen Penim
  • Maurizio Polsinelli

DOI:

https://doi.org/10.32766/brag.378.713

Keywords:

Antonio Fernández Morales, metre, poetry, dodecaphony, song, rhythm

Abstract

After a short introduction where we address the similarities between musical and poetical metres, we also introduce some of the studied writer’s metrical structures, as well as his stylistic values. Next, there will be a brief comment of the artistic resolutions in Carmen Penim’s songs based on the author’s poetry, in order to end with the explanation of Maurizio Polsinelli’s dodecaphonic piece on the author’s work, who’s piano scores can be found at the end of this article.

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References

González Prieto, Manuel (2017): Antonio Fernández Morales, autor berciano. Bicentenario do seu nacemento (1817-2017). Santiago de Compostela: Edicións Positivas.

Rodríguez Fer, Claudio (1990): Arte Literaria. Vigo: Edicións Xerais de Galicia.

Baricco, Alessandro (2013): L’anima di Hegel e le mucche del Wisconsin. Una riflessione su musica colta e modernità. Milano: Feltrinelli.

Stravinski, Igor (1987): Poetica della musica. Pordenone: Edizioni Studio Tesi.

Schönberg, Arnold (1970): Fundamentals of Musical Composition. London: Faber and Faber.